![]() ![]() ![]() How can the contemporary novel speak the unspeakable? It’s an old question, a tired one perhaps, now that “the unspeakable” has come to encompass many forms of trauma that writers regularly speak about: self-harm, sexual abuse, genocide, fascism, climate change. Giorgio de Chirico: The Archaeologist, 1927 from Endless Enigma: Eight Centuries of Fantastic Art, the catalog of a recent exhibition at the David Zwirner Gallery. Private Collection, Monaco/Nicholas Hall and David Zwirner/© 2019 Artists Rights Society (ARS), New York/SIAE, Rome ![]()
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